Feminae: Medieval Women and Gender Index
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3 Record(s) Found in our database
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1.
Record Number:
12880
Author(s):
Michalski, Sergiusz.
Contributor(s):
Title :
Venus as Semiramis: A New Interpretation of the Central Figure of Botticelli's "Primavera"
Source:
Artibus et Historiae , 48., ( 2003): Pages 213 - 222.
Year of Publication:
2003.
2.
Record Number:
1374
Author(s):
Barolsky, Paul and Anne Barriault
Contributor(s):
Title :
Botticelli's "Primavera" and the Origins of the Elegiac in Italian Renaissance Painting [traces the theme of bittersweet loss in the paintings of Botticelli, Signorelli, Piero di Cosimo, Sebastiano del Piombo, and Titian].
Source:
Gazette des Beaux-Arts , 128., 1532 (septembre 1996): Pages 63 - 70.
Year of Publication:
1996.
3.
Record Number:
6270
Author(s):
Francalanci, Andrea.
Contributor(s):
Title :
Le tre grazie della "Primavera" del Botticelli: La danza fra allegoria e realtà storica [Botticelli organized the figures in the "Primavera" using the configurations of a dance; court dance was just being developed in this period with geometric circles, with their philosophical implication of perfection, and hierarchic lines as possible configurations; the meaning assigned to the figures in the painting vary, but a courtier of the period could imagine the interactions of various symbolic figures in a meaningful dance].
Source:
Medioevo e Rinascimento , ( 1992): Pages 23 - 37.
Year of Publication:
1992.